is there a way to use google docs without wifi on an iphone??? i’m going 2 be in the car w my family for like four hours but i rly wanna write pls help asap 

The photography of William Eggleston

A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. 

Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)


[ laughing with a mouth of blood] My rational mind is in a pretty small box. All tied up with a bow on it - a mix for Harley Quinn/the Joker

one. girls night out, the knife; two. mr. grieves, tv on the radio; three. agony in her body, sage francis; four. lend me your teeth, devendra banhart.; five. vampire smile, kyla la grange; six. culling of the fold, the decemberists; seven. problem, natalia kills; eight. dirge, death in vegas; nine. deeper and deeper, dave gahan; ten. working for the man, pj harvey; eleven.pinned and mounted, trent reznor and atticus ross; twelve. piggy, nine inch nails;  thirteen. the amazing sounds of orgy, radiohead



Robert Stadler's light installation at St. Paul St. Louis Church, Paris (Nuit Blanche), 2007

Photo by Marc Domage

Visitors enter the church through a lateral door and first see a scattered group of luminous spheres hovering in the choir. As one approaches the center of the nave, the spheres form a giant question mark. They become a punctuation mark superimposed over the religious symbols. Then as one moves through the church, the question mark decomposes. The figure becomes abstracted again in order to echo the hanging lights of the cathedral. Contrasting with the symmetry of the edifice, these luminous suspension points are like a musical notation, or holes punctuating the architectural volume. The question (or doubt) is absorbed by the space. Commissioned by Olga Milogrodzka for the Baltic See Cultural Center, the installation was presented in 2009 at St. John’s church in Gdansk, Poland.


Yellow Pink Roses in a Glass Vase, Henri Fantin-Latour


Yellow Pink Roses in a Glass Vase, Henri Fantin-Latour

they would have no claim on me if i did not desire it
for i belong to myself,
i am only my own—
half flowering creation,
half blistering hellfire.



I learned the truth about despair, as will you. There’s a reason why this prison is the worst hell on earth… Hope. Every man who has ventured here over the centuries has looked up to the light and imagined climbing to freedom. So easy… So simple… And like shipwrecked men turning to sea water from uncontrollable thirst, many have died trying. I learned here that there can be no true despair without hope. 

“'You know what the problem is?' he asked, 'It's not that I'm not enough, it's that you're empty. You're just so goddamn empty and greedy that every single person on this fucking planet could love you and it wouldn't be enough for you.'”
— Criticisms (#49: January 10, 2014)